Recording the Drums - Tuning

When deciding what kind of book I should read for this project, I had trouble deciding on what new thing I should learn because I'm pretty much filthy at everything already.  I came to the conclusion that instead of learning something new, I should build on something I am already dope at. Once I realized this, it became clear what I should do. Since I've been drumming for so long, I think its time I learned how to get my drumming into recordings. That way I could give you all the gift of my tasty drum fills straight from my drumset to your earholes.

The book I choose to help me understand the subject of creating a home recording studio, was "Recording Drums: the Complete Guide" by Mike Major. The First thing the book tells me I should do before even getting the recording equipment out, is make sure my drums tuning's are top notch. Before reading this book I thought I had knew about everything needed to tune a drum and make it sound good, But apparently it is way more complicated than just tuning diagonally  across the head and  making sure everything is in the right pitch. My guy Mike Major  says that tuning a live set is very different than the what is needed to make a audio recording sound "phat"(his words not mine). To make you're toms sound good in a recording, they should be tuned to slightly match notes on a scale, " You can mix and match intervals. I find that you need a wider interval between the lower toms but you can get away with a closer interval between higher toms. for example on a kit ranging in 5 toms ( 8-10-12-14-16) [inches] try a tuning that goes (from bottom up) C-F-Bb-Eb-G." (Major 10)  By tuning the toms to these intervals it helps give them a good sound distinction between them without them sounding too dissonant when hit together or ringing out. after you get the basic tuning of the notes for each head, you've got to fine tune them to make them sound sexy.

"To start, multiply the frequency of the desired fundamental note by 1.75 and tune both top and bottom lug-pitches to that frequency. Then, measure the fundamental pitch of the drum and adjust the pitch of top and bottom heads accordingly"

After hours of fine tuning i have finally come to a sound that I believe gives that "phat" feeling Major was referring to. Of course because I am not using any recording equipment yet, it will sound really crappy when just heard through the microphone of an iphone so chill.

By the end of the book I'm hoping to do a drum cover of a popular song and post it, so if you want to you can comment any song I should do a drum cover for and hopefully i can do it!